My New Year’s Eve with Papadosio and Dopapod


            Some people spend the final moments of a year watching the ball drop in Times Square. Others spend them at home with friends and family. And still some others hit the road for the chance to be surrounded by gyrating souls, while a favorite band lays it down on stage, bringing in the new year with music and laughter. Guess which one I am.

            This year (or last year, depending on how you look at it), I had the distinct pleasure of spending my final moments with Dopapod and Papadosio at their New Year’s Eve bash at The National in Richmond, Va. This was due, in part, to Papadosio’s offer of two complimentary tickets for me and my boyfriend. The band is a long time favorite of mine, so there was no way I was going to miss out.

Photo: Jason Pier (flickr.com)
            If you’ve never had the chance to visit The National, it is an excellent venue. As a historic renovated theater, it sports an elevated stage with hardwood dance floor, an extremely high ceiling, balcony seating, several bars, and beautiful interior artwork and design. It has a capacity of 1500 and this show sold out, so you can imagine what the energy was like inside.
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Saturday Night Blight - Catawba Fest '12

The truth is, I was having a horrible week. Everything that could go wrong did, and I was looking for a serious pick-me-up. It seemed I had found it. Catawba Fest, a weekend festival put on by Half Acre Promotions, would be hosting one of my favorites, Papadosio. The festival was only a stone’s throw away, and admission was reasonable. I only planned to attend Saturday, when Papadosio was scheduled to close out the main stage.

The event took place over the weekend of Aug. 31 to Sept. 2. It was held at the Catawba Sustainability Center in Catawba, Va., property owned by Virginia Tech. The goal of the center is to educate on sustainability, which the festival also focused on. Several booths were set up showcasing earth friendly projects and vendors. The festival was held there in an attempt to raise awareness and funding for the Sustainability Center, as well as to provide musical entertainment.

So, on the night of Sept. 1, I arrived at Catawba Fest with unmeasurable excitement. Something was finally going to go right, and Papadosio would make all my stress and tension float away on syncopated rhythms. I think many others felt the same.

The land was beautiful. An open field with mountains in view, capped by an expansive sky (often cloudy) and happy faces. It was intimate, something I’ve always loved in festivals. I recognized many, and the number only grew as that much awaited time approached. We were there for the same reason.

The day was rainy. At one point I found myself drenched, hiding inside a tent dripping with puddles. The music had stopped; the downpour and winds were simply too much. I didn’t bring a tent, since I hadn’t planned to stay the night, so when the rain let up, I moved to a car for protection. When I finally ventured out again, the band’s set time was nearing but there were still showers.

Because of the rain delay, things were off schedule, and the Shane Pruitt Band, on stage right before Papadosio, played later than expected. The band closed out its set with remarkable energy and began to pack up. At this point, rain was still falling lightly, but I’d realized that a small area right in front of the stage was also covered by the tent, and was staying dry.

The crowd gathered in wait. Papadosio began to set up. The anticipation was palpable. Like-minded souls expecting a release. 

Papadosio performs at Electric Forest '12
The group was small. Many attendees had gotten rained out and gone home, or had children they needed to put to bed. The last few survivors waited for their reward. But suddenly, the atmosphere changed. Cords were wound instead of unwound. Equipment was packed up instead of set up. Lights were broken down; instruments were put away. Confusion spread through the crowd as people wondered, “What’s going on? Are they going to play?” There was a stalemate on stage. The band members were clearly ready to put on a show, but something was stopping them.

And then it all became clear. No, they weren’t going to play. We all reeled in disbelief. This couldn’t be right.

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Virginia is for Lovers Who ROCK - FloydFest XI


After last year’s FloydFest I didn’t make it a priority to return this year, and I’m not sure why.

Maybe because it’s so close to home and I had such grand plans of making it to Electric Forest and other faraway festivals.

Maybe because this year’s lineup didn’t seem to jive with my usual festival fare.

Maybe because I thought that by the time it came around my pockets would be empty or I would be saving for something else.

Or maybe I just fell and damaged my memory at some point after FloydFest X and forgot what a great time I had.

Either way, FloydFest XI, with its theme of Lover’s Rock, reminded just how much I loved being there, and just how much I love Floyd, Va. Even better, I got to share that love, having the ultimate joy of taking my boyfriend to his first ever festival.

We arrived Thursday afternoon, after a most beautiful drive, to the hustle and bustle that is Floydfest. We parked, loaded up our stuff onto the trailer at the back of one of the Boy Scout busses that offers safe passage to excited travelers, got on board and began our journey down the Blue Ridge Parkway into the main festival grounds. I’d sent our tent in the day before with a friend who was vending to ensure a good spot in the shade, so, after getting wristbands and a festival guidebook, we set out to find it. We quickly gave up that mission and went to find her instead. Once we’d located the tent, we got settled and ready for a weekend of music and memories, complete with free ice cream from Masterpiece Ice Cream Company.

I was blessed to receive two free tickets the week before the festival (Festival tickets make a great gift, in case you were wondering.), which made the experience that much more precious. Knowing that I almost hadn’t made it left me with a feeling of deep gratitude for every memorable moment. Thursday night started things off right: ArtOfficial warmed the crowd up for a stunning performance by Galactic that had me leaping and laughing like a dervish. An extended hand drum solo section hit the rhythm, and the all-too-magnificent Corey Glover hit every note, leaving the crowd (and me) wanting more.  
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Consider the Source


 Have you ever watched an artist paint? He works in layers, slowly building background upon background, adding highlights and shading, until he finishes — orchestrating a masterpiece that resembles, but is entirely different than, each individual layer.

This is Consider The Source, a jam experience out of New York City that paints a canvas with every song. Its three members ― Gabriel Marin on fretless, double-neck guitar, John Ferrara on bass, and Louis Miller on drums — layer Middle Eastern and other world sounds over jazz and funk techniques, all over their unique psychedelic rock sound, to create an incredible fusion of culture and style.


Consider the Source is like nothing you’ve heard before. Upon playing the first note, its energy and quiet communication is instantly felt, with quickly moving, sometimes almost erratic rhythms drawing you in, forcing you to focus in on what each member is trying to convey. Once it has your full attention, the trio truly takes your mind on an adventure, constantly surprising and defeating any expectations. 

I had the pleasure of meeting the guys after their show in Roanoke at Martin’s Downtown on April 4. This was the first show on their tour as well as Miller’s debut show as drummer, so it was a great opportunity to chat about the band’s past, present, and future.
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